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01
01 | PORTER | October Cover x Jessica Chastain
02
02 | ESQUIRE UK | Cover Story x Paul Anthony Kelly
03
03 | CONDÉ NAST | Vogue Arabia Relaunch
04
04 | AMAN | Saudi Arabia & Dubai
05
05 | MR PORTER | Finneas
06
07
07 | CIPRIANI | MR C Residence Dubai
08
08 | MR PORTER | In America
09
09 | COLUMBIA SPORTSWEAR | Light Your Path
10
10 | MASTERCARD | Sail Grand Prix x Luís Figo
11
11 | NIKE | Global Vomero 18 Activation
12
13
13 | CHARLOTTE TILBURY | Disney 100 Campaign
14
14 | LOUIS VUITTON | The Glass Magazine
15
15 | HARVEY NICHOLS | Festive, Beauty
16
16 | GUESS | Global Ramadan Campaign
17
17 | SIRO HOTEL | Campaign
18
18 | HAMILTON WATCHES | Ventura XXL Campaign
19
19 | JUMEIRAH | Jumeirah Beach Hotel Al Bahar Villa
20
20 | BVLGARI | Bvlgari x Vogue
21
21 | STONE ISLAND | The Life Aquatic, With Stone Island
22
22 | MR PORTER | Social Media Strategy
23
23 | MR PORTER | Editorial & Visual Research
24
24 | TRIPPIN | Journalism & Visual Research
25
25 | VOGUE ARABIA | Visual Research
© 2026 Emily Lucas
Trippin
An Exploration of Mexico Through the Lens of Graciela Iturbide
2022
The Task

Long-form authored feature for Trippin on Mexican photographer Graciela Iturbide, timed to her nomination for Outstanding Contribution to Photography at the 2021 Sony World Photography Awards. Wrote a critical piece that read Iturbide's work seriously, not as travel content, but as a study of Indigenous identity, female empowerment, and the ethics of the photographer's gaze.

The Outcome

Wrote a feature that anchored on two of Iturbide's most significant series: her decade-long work in Juchitán de Zaragoza documenting matriarchal Zapotec community structures, and her 1980 commission with the National Indigenous Institute photographing the Seri people of Punta Chueca. The piece read Iturbide's practice through the lens of complicity rather than observation, drawing on her own statement that photography is "a regard within a regard". Visual research surfaced the work alongside academic context on Mexican Indigenous politics, gender hierarchy in Juchitán, and the reception history of Iturbide's most iconic image, Nuestra Señora de las Iguanas.

Editorial WritingCultural CommentaryVisual Research