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01
01 | PORTER | October Cover x Jessica Chastain
02
02 | ESQUIRE UK | Cover Story x Paul Anthony Kelly
03
03 | CONDÉ NAST | Vogue Arabia Relaunch
04
04 | AMAN | Saudi Arabia & Dubai
05
05 | MR PORTER | Finneas
06
07
07 | CIPRIANI | MR C Residence Dubai
08
08 | MR PORTER | In America
09
09 | COLUMBIA SPORTSWEAR | Light Your Path
10
10 | MASTERCARD | Sail Grand Prix x Luís Figo
11
11 | NIKE | Global Vomero 18 Activation
12
13
13 | CHARLOTTE TILBURY | Disney 100 Campaign
14
14 | LOUIS VUITTON | The Glass Magazine
15
15 | HARVEY NICHOLS | Festive, Beauty
16
16 | GUESS | Global Ramadan Campaign
17
17 | SIRO HOTEL | Campaign
18
18 | HAMILTON WATCHES | Ventura XXL Campaign
19
19 | JUMEIRAH | Jumeirah Beach Hotel Al Bahar Villa
20
20 | BVLGARI | Bvlgari x Vogue
21
21 | STONE ISLAND | The Life Aquatic, With Stone Island
22
22 | MR PORTER | Social Media Strategy
23
23 | MR PORTER | Editorial & Visual Research
24
24 | TRIPPIN | Journalism & Visual Research
25
25 | VOGUE ARABIA | Visual Research
© 2026 Emily Lucas
Vogue Arabia
Why I Refuse to Use Face-Altering Filters in 2025
2025
The Task

Source archive imagery for an article on the homogenising effect of face-altering filters, and what their unchecked rise teaches the next generation of women being raised online. Brief called for a single visual hook strong enough to hold a long-form opinion piece without distracting from the writing.

The Outcome

Licensed a 1969 Keystone archive frame from Getty Images: a model wearing comically oversized glasses that magnify her eyes. The vintage physical filter mirrors the digital ones the essay critiques, sharpening the central argument that distorting how we appear is not a new instinct, but one that has evolved over time.

Why I Refuse to Use Face-Altering Filters in 2025 – 1
Visual ResearchPhoto SourcingArchive LicensingEditorial